Director Agreements | Movie Law

Director Agreement

This Deal Point Checklist is designed to highlight areas of importance when entering into a Director Agreement. Attorney Michael Norman Saleman offers these Deal Point Checklists as a courtesy to users of this website. Contact Mr. Saleman if you need help with any of your project’s legal documentation.

Download (Director-Agreement.docxDirector Agreement | Deal Points Checklist | MovieLaw.net) and use this checklist when negotiating a Director Agreement to assist you in reaching an agreement on major deal points. Return this Word document with the details to facilitate the drafting of your agreements.

  • Name of Project
  • Start and End Dates (Term of Agreement)
  • Services Rendered
    • Pre-production
    • Principal photography
    • Post-production
    • Supervise re-writes
    • Location Search
    • Assist Producer
      • budget
  • Exclusive During Principal Photography
  • Post Production
    • Exclusive or Non-Exclusive
    • Cooperate with Editor
    • Retakes, changes, dubs, added scenes, trailers, soundtrack, other languages
    • days and dates available
      • how many required
  • Compensation
    • Fixed
    • When Paid
    • Flat Fee alternative
    • Deferred
    • Contingent (Back-End) profit participation
      • net or gross
      • how defined
    • Conditions Precedent
    • Pay or Play
    • DGA Director (need to follow DGA Agreement re salary)
  • Credits
    • where
    • size of type
    • “Film By” credit as well?
    • paid ads
  • Expenses
    • Airfare
    • Lodging
    • Living Expenses/Per Diem
    • Food
    • Verification of Expenses/Vouchers and Receipts
  • Name and Likeness Consent
  • Publicity Restrictions
  • Director’s Incapacity Issues
    • when can Production Company Terminate
    • Right of examination
  • Insurance on Director’s Life
  • Remake and Sequel Rights
  • First Refusals
  • Approvals (who has final approval)
    • cast, budget, schedules, screenplay, locations, editor, titles,
  • Selections
    • which personnel may director hire
    • restrictions on salaries to these individuals
    • consents of Production Company
  • Changes to Screenplay and Schedules
  • Creative Control
  • Advertising and Distribution Consultation Rights
  • Final Cut
    • who has
    • running time limitations
    • rating goal
    • cover shots
    • censorship cuts
    • director’s cut vs. studio cut
    • dubbing
  • Cover Shots
  • Dailies
    • Production Company has right to view
  • Television Cover Shots